BIO
artist, curator, graduate of the Institute of Contemporary Art of Joseph Backstein (2025) and RSUH (2006), Ph.D. on Philology. Works with public art and site-specific projects. Primary research interests include the relationship between humans and nature, and plant-based thinking.

Artist Statement
Through a paradoxical synthesis of elements from different cultures, religious and esoteric practices, "tacit" knowledge, and everyday rituals, I explore the traditional dichotomies that underpin our worldview – nature/human, ancient/modern, real/fictional. I emphasize their instability and ephemerality.

In my artistic practice, I employ various methods of inquiry, characteristic of science and religion. For example, through the deconstruction of sacred objects and religious attributes, I analyze their structure and the principles by which they influence the viewer. I also turn to the simplest forms of scientific research – laboratory tests conducted by schoolchildren in their first biology and physics lessons, capturing the patterns and designs of existence.

In my installations, I employ the technique of apagogy, pushing an idea to the point of absurdity, to its complete destruction, thereby discovering new meanings.